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About this Author
Suw Charman-Anderson

Suw Charman-Anderson is a social software consultant and writer who specialises in the use of blogs and wikis behind the firewall. With a background in journalism, publishing and web design, Suw is now one of the UK's best known bloggers, frequently speaking at conferences and seminars.

She recently launched Kits and Mortar, a blog about planning a green, cat-friendly self-built home.

Suw is also founder and board member of the Open Rights Group, a digital rights advocacy group which aims to raise awareness of digital rights issues, to campaign against bad legislation in Britain and the EU, and to support grass roots activism.

Her personal blog is Chocolate and Vodka, and yes, she's married to Kevin.

Email Suw

Kevin Anderson

Kevin Anderson has been an online journalist since 1996, designing, editing and writing websites for both broadcast and print media. In 1998, he joined the BBC and became their first online journalist based outside of the UK, covering the US for its award winning news website. After coming to the UK in 2005, he developed a blogging strategy for BBC news, helped launch a programme on the BBC's 5Live covering weblogs and podcasts and was on the team that launched the interactive radio programme World Have Your Say on the BBC World Service.

Kevin is now the Blogs Editor for The Guardian, where he is responsible for management, strategy and 'leading by doing' for Guardian Unlimited blogs.

E-mail Kevin.

Member of the Media 2.0 Workgroup
Dark Blogs Case Study
Case Study 01 - A European Pharmaceutical Group
Find out how a large pharma company uses dark blogs (behind the firewall) to gather and disseminate competitive intelligence material.
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All content (c) Kevin Anderson and/or Suw Charman
Don't Miss The DrugSafetyHub, a new blog on counterfeit drugs and the evolution of the pharma industry

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October 26, 2006

ORG event: Release The Music, 13 Nov 06

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Posted by Suw Charman

From the ORG blog:

Should the term of copyright protection on sound recordings stay at 50 years or be extended?

This question has been hanging in the air for the last couple of years, with the music industry lobbying government for an extension on the grounds that the royalties they earn from old recordings are essential to bringing new acts to the stage and supporting ageing musicians. They believe that copyright term on sound recordings should be the same length as the copyright in the composition, which currently stands at life plus 70 years.

On the other hand, copyright reformers argue that term should remain the same in order to protect the public domain and to free the huge number of old recordings which are no longer commercially viable and therefore not being released by the record labels. They also argue that there is a greater economic benefit to allowing works to pass into the public domain after 50 years so that new works can be made from them and new businesses that specialise in niche markets can flourish.

This question of term extension, along with many others, is now being considered by Andrew Gowers in his Review of Intellectual Property which was commissioned by the Treasury and is due to report before the end of the year.

The Open Rights Group believes that term extension is such an important issue that it deserves focused and rigourous discussion, so we've invited people from number of backgrounds to give us their thoughts and opinions.

We would be delighted if you could join us - the event is free to all, but places are limited so book now!

Schedule:
6.00pm - Registration.
6.30pm - Keynote by Professor Jonathan Zittrain, Chair in Internet Governance and Regulation at Oxford University.
7.30pm - Panel Discussion, moderated by John Howkins, RSA & Adelphi Charter; guests include Caroline Wilson, University of Southampton, Faculty of Law; others TBC.
8.30pm - DJ set by The Chaps, playing a pre-1955 public domain set.
10.00pm - Close.

Date:
Monday 13 November 2006

Location:
Conway Hall
25 Red Lion Square
London, WC1
United Kingdom

Nearest tube:
Holborn

If you sign up, but find you are not able to come, please do let us know so we can release your seat to someone else.

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