Tuesday, February 13th, 2007
Open publishing - A wider context
The temptation when you’re looking at a topic of open publishing is to focus on the case studies of people and publishers who are making works available online for reuse, but it’s really important to take a look at the wider context within which writers, publishers and booksellers are working and related issues such as DRM and piracy (which I will also address at length in another post). You can’t consider open publishing in a vacuum, despite the temptation to focus in on just that one area, otherwise you get just a fraction of the story.
Tim O’Reilly has a really fascinating and detailed post which does just that. He talks about the things he’s learnt being both a writer and a publisher. His lessons are:
- Lesson 1: Obscurity is a far greater threat to authors and creative artists than piracy.
- Lesson 2: Piracy is progressive taxation.
- Lesson 3: Customers want to do the right thing, if they can.
- Lesson 4: Shoplifting is a bigger threat than piracy.
- Lesson 5: File sharing networks don’t threaten book, music, or film publishing. They threaten existing publishers.
- Lesson 6: “Free” is eventually replaced by a higher-quality paid service.
- Lesson 7: There’s more than one way to do it.
Tim examines each of these lessons in detail, but rather than attempt a summary, I recommend that you go and read his post and get it straight from the horse’s mouth.
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February 15th, 2007 at 1:18 am
Thanks for this link. I read something similar awhile ago, essentially that we don’t need DRM as much as we are told. I lost the content and have ever since been fighting DRM concepts solely with principles… never easy.
I really enjoy all three blogs of yours. Thank you. Congrads and best of luck on the new and exciting future.
February 26th, 2007 at 12:41 pm
Thanks!
I do think that if we, as the people with the money, refuse to buy DRM’d products, we could collectively send a message to the creative industries that DRM is not the path to go down. I think a few people within that sector are starting to realise it, but the problem is a lack of transparency on their part - they aren’t telling us when CDs are DRM’d, so we don’t find out until too late; or they aren’t explaining the implications of their DRM on buyers of music or ebooks. So I think there’s a long hard fight ahead.