Ada Lovelace Day

About The Authors

Suw Charman-Anderson

Suw Charman-Anderson

Suw Charman-Anderson is a social software consultant and writer who specialises in the use of blogs and wikis behind the firewall. With a background in journalism, publishing and web design, Suw is now one of the UK’s best known bloggers, frequently speaking at conferences and seminars.

Her personal blog is Chocolate and Vodka, and yes, she’s married to Kevin.

Email Suw

Kevin Anderson

Kevin Anderson

Kevin Anderson is a freelance journalist and digital strategist with more than a decade of experience with the BBC and the Guardian. He has been a digital journalist since 1996 with experience in radio, television, print and the web. As a journalist, he uses blogs, social networks, Web 2.0 tools and mobile technology to break news, to engage with audiences and tell the story behind the headlines in multiple media and on multiple platforms.

From 2009-2010, he was the digital research editor at The Guardian where he focused on evaluating and adapting digital innovations to support The Guardian’s world-class journalism. He joined The Guardian in September 2006 as their first blogs editor after 8 years with the BBC working across the web, television and radio. He joined the BBC in 1998 to become their first online journalist outside of the UK, working as the Washington correspondent for BBCNews.com.

And, yes, he’s married to Suw.

E-mail Kevin.

Member of the Media 2.0 Workgroup
Dark Blogs Case Study

Case Study 01 - A European Pharmaceutical Group

Find out how a large pharma company uses dark blogs (behind the firewall) to gather and disseminate competitive intelligence material.


free page hit counter



hit counter script


All content © Kevin Anderson and/or Suw Charman

Interview series:
at the FASTforward blog. Amongst them: John Hagel, David Weinberger, JP Rangaswami, Don Tapscott, and many more!

Corante Blog

Friday, October 9th, 2009

AP’s Curley v Curley and News Corp’s Rupert v Rupert

Posted by Kevin Anderson

The newspaper industry has woken from its slumber, and they have realised the enemy is not the internet. The enemy is actually you and me, those of us who use the internet. According to the CEO of the Associated Press Tom Curley, “third parties are exploiting AP content without input and permission”, and:

Crowd-sourcing Web services such as Wikipedia, YouTube and Facebook have become preferred customer destinations for breaking news, displacing Web sites of traditional news publishers.

I’m linking to this on one of these third parties sites, Google News, which has a commercial hosting agreement with the AP. Those bloody paying parasites!

Curley was speaking at the World Media Summit in Beijing’s Great Hall of the People. Does Curley know who added those links to Wikipedia, shared those stories on Facebook or uploaded those videos to YouTube? Internet users, you, me and millions of others around the world. For Mr Curley, the internet is a “den of thieves“, says Jeff Jarvis.

Jeff offers his argument against this view of the world. However, I’d like to stage another bit of a debate, one possible through the virtual time travel of the internet. Let’s get ready to rumble! In this corner, we have the Curley of 2009, who argues:

We content creators must quickly and decisively act to take back control of our content.

With that jab, a slightly younger, slightly more optimistic Curley of 2004 lands a right hook: “The future of news is online, and traditional media outlets must learn to tailor their products for consumers who demand instant, personalized information.” The Curley of 2004 instead sees this future from his own past:

the content comes to you; you don’t have to come to the content so, get ready for everything to be ‘Googled,’ ‘deep-linked’ or ‘Tivo-ized’.

Ouch Tom 2009, that looks like it hurts. Next up in our virtual cage match is a spry 78-year-old, Rupert Murdoch! Let’s start with the Rupert of 2009:

The aggregators and plagiarists will soon have to pay a price for the co-opting of our content. But if we do not take advantage of the current movement toward paid content, it will be the content creators — the people in this hall — who will pay the ultimate price and the content kleptomaniacs who triumph.

Fighting back is the fighting fit Rupert “The Digital Immigrant” Murdoch of 2005:

Scarcely a day goes by without some claim that new technologies are fast writing newsprint’s obituary. Yet, as an industry, many of us have been remarkably, unaccountably complacent. Certainly, I didn’t do as much as I should have after all the excitement of the late 1990’s. I suspect many of you in this room did the same, quietly hoping that this thing called the digital revolution would just limp along.

It’s a shame to see this come to blows. These guys should really talk to each other. With Rupert 2009 on the ropes, Rupert 2005 delivers this shot:

What is happening is, in short, a revolution in the way young people are accessing news. They don’t want to rely on the morning paper for their up-to-date information. They don’t want to rely on a god-like figure from above to tell them what’s important. And to carry the religion analogy a bit further, they certainly don’t want news presented as gospel.

Instead, they want their news on demand, when it works for them.

They want control over their media, instead of being controlled by it.

Ouch. Can’t you guys make up your mind? Has the Great Recession changed consumer internet behaviour and media consumption trends? Or did the industry’s complacency finally catch up with it?

Tuesday, September 1st, 2009

How to spot a web hoax

Posted by Kevin Anderson

Every journalist learns (or should learn) how to evaluate sources and, as the web increasingly becomes a source for stories, we need to know whether the things that we stumble across there would make a good source. The internet has been an important part of my job as a journalist almost since I took my first full-time journalism job in 1994. Internet journalists have their own investigative skills, skills that will have to become more widespread as the internet becomes part of every journalist’s job.

I mention this in the wake of a hoax last week by Alex Hilton, aka the British political blogger Recess Monkey. For background, I’ll refer to the Guardian, my day job:

Been following the ding-dong over Tory MP Chris Grayling comparing parts of “Broken Britain” to Baltimore, the crime-ridden city shown in The Wire? What about the riposte from Baltimore mayor Sheila Dixon, who has hit back stating that comparing The Wire to the real Baltimore was “as pointless as boasting that Baltimore has a per capita homicide rate a fraction of that in the popular UK television show Midsomer Murders.” If only.

The British press, and to be fair the hometown Baltimore Sun, reported that the mayor of Baltimore rose to the defence of her fair city. The only problem is that she didn’t. The Guardian was one of the British newspapers that fell for the hoax.

I have to take my hat off to Alex. I’ve never had the pleasure of meeting him, but the hoax was very well executed. Alex created a Twitter account to promote the site. He created a YouTube channel and a video.

To create the site, he simply copied the underlying code from a web page from the official Mayor of Baltimore’s site and changed some of the content. This retained all of the links to the official site and the images were simply pulled from the official server. It’s an immaculate hack. He didn’t have to break into anyone’s server, just copy a web page and add his own content.

It’s a similar trick to phishing scams. It looks like Amazon.com or your bank, but you’ve actually just been sent to some mobsters’ site in Russia or a naked IP address. (I don’t mean to disparage the good people of Russia, but a helluva lot of phishing scams are .ru.) You have to be pay attention to the web address to notice that you’ve suddenly been teleported somewhere else on the web.

Alex explains his motivations and the clues that he left to tip anyone off that it was a joke:

So what else did I do to make sure this wasn’t seen as the true views of the Mayor of Baltimore or an attempt to deceive anyone or to smear Chris Grayling? I registered the mayorofbaltimore.org domain in my own name. I squirrelled in the English spelling of “dishonoured” as a clue. I put at the bottom of the page, “Copyright R Monkee Esq” and linked it to my currently decrepit Recess Monkey website. I put the following message on Recess Monkey for anyone who cared to follow the link:

Sorry, RecessMonkey is on holiday in Maryland. Right mouse button click view source (but not on this website) R Monkee Esq.

If you had looked at the source on the site, you would have found this:

OK, so I’m just having a bit of fun at Chris Grayling’s expense. Sitting in the office on a hot August afternoon, I was fantasising that I was Mayor of Baltimore and how annoyed I would be. I hope you very quickly picked up that this was a spoof. Didn’t mean to break any laws or ethical mores - please don’t extradite me if I have unwittingly done so. Hope you appreciate the humour, Alex Hilton, alexhilton@gmail.com - 07985 384 859

Alex expected journalists to spot the humour and the hoax, but it was reported as fact. He rang the Guardian switchboard and was put through to me. He was trying to ratchet down the media furore. The Guardian media desk wrote a brief story about the hoax, and I alerted the news desk so the correction process could begin.

So, what gives a hoax like this away? Here’s your three point guide to spotting when someone’s pulling your leg.

  1. Pay attention to the URL
    When a colleague sent me the website address, I spotted the hoax immediately. I didn’t even need to see the site to know it was a fake. How? The URL was mayorofbaltimore.org, not .gov or .md.us. In a UK context, that’s similar to a fake Downing Street site with the address www.number10.org.uk instead of www.number10.gov.uk. Org addresses are for non-profits not for governmental websites.
  2. Who owns the site?
    Finding out who owns a site is easy. Do a WHOIS lookup, and you’ll find out not only who owns the site, but sometimes even their contact details. Most of the time this is corporate information that won’t give you a person to ring, but as Alex says, he registered the site in his own name.
  3. Hover over the links
    Why? If you hover over the links, you would have seen they went to a different address, not mayorofbaltimore.org. It could save you from a phishing scam and it could have prevented journalists from falling for this hoax.
  4. Be wary of a Twitter account with only one update
    Alex created a fake Twitter account, and the only update linked to his fake press release. That’s a big warning sign to me.

Alex also hid a huge clue in the source code, including his mobile phone number and his e-mail address. To see the underlying code of a web page in Firefox, go to the View menu and scroll down to Source. For Internet Explorer, go to Page on the menu bar and scroll down to Page Source. UPDATE: A commenter on Twitter admitted she probably wouldn’t have thought to look at the source code of the page. I looked at the code because I wanted to see how Alex had cloned the page. When things look fishy, the code can reveal a lot. Alex also made it clear on Recess Monkey that there was an Easter Egg hidden there as well.

Much of what I have described were once specialist skills that only web geeks needed to know, but as the web becomes more of every journalists’ job, having these relatively simple skills might be the thing that prevents you from falling for the next hoax. These are not technical skills anymore. They are skills you need to evaluate a source on the web, conduct an investigation and protect your credibility as a journalist.

Friday, May 22nd, 2009

Raising journalists’ expectations only to crush them

Posted by Kevin Anderson

My colleague and compadre Jemima Kiss flagged up story making the rounds on journalism blogs that the University of Missouri School of Journalism is requiring new students to have an iPhone or an iPod touch.

Like Jemima, I speak to quite a few journalism classes as well. While everyone assumes that young people almost without exception embrace technology, it couldn’t be further from the truth. As Jemima writes:

Chatting to journalism students is always an eye-opener, because, despite the enthusiasm and the clear commitment to their career, there’s very often a rather romantic view of an industry that doesn’t really exist any more. It’s a world of smokey bars and clattering Fleet Street typewriters battling against a daily deadline, or, very often, a rather glamorous late night gig review by a wannabe music journo.

Sadly journalism students’ romantic notion of journalism is often 30 years out of step, and they are often even more resistant of new technology and new methods than those working in the industry.

I stopped off at the University of Missouri to visit my friend Clyde Bentley when I was traveling across the US last year for the elections, and it was great to see them thinking not just about the internet but also actively exploring mobile technology. The University of Missouri is a great institution, and it’s great to see them keeping ahead of the times. But the move to require an iPod Touch or an iPhone has not been welcomed by all.

Levi Sumagaysay at the San Jose Mercury News asked if the requirement was a conflict of interest. He questioned “what appears to be the school’s bias or endorsement of the aforementioned Apple products”.

However, I noticed something else that Levi wrote about, building up journalism students expectations. He writes:

An ironic side note: In most newsrooms I’ve worked, we’ve had to claw our way to “preferred equipment,” and we considered ourselves lucky if, in 1999, our work computers got upgraded to, say, Windows 95. If newspapers survive, future journalists being trained to work on the latest and greatest equipment are in for a huge letdown when they realize that that stuff is largely non-existent in the newsroom — we just write about them.

It’s actually more than moving journalism students from a world of shiny Apple engineering to a world of outdated, coffee-encrusted computers. It’s moving them from a world where they can install and run what they want to a world of locked-down, corporate machines.

I was talking to a friend this week who told me that she had to get a permission slip signed to get a piece of software installed on her work computer and another permission slip signed to actually use the piece of software. You would think she was a seven-year-old going on a field trip to an active volcano. When I was with the BBC, I traveled with two computers. My work computer, which I had to have to access certain work systems, and the computer that I actually got work done on.

I know that there are security issues. I know that IT administrators can tell stories of the senior manager’s kid downloading a virus via some Flash game and taking down the network. But a one-size fits all corporate IT policy is not only a soul-destroying experience for a technically proficient journalist, it’s also a productivity killer. There has to be a better way than this. Train staff in the basics of computer security. Allow them to try new things on a virtual machine that can be wiped if it gets infected with a virus. But we can’t expect journalists to explore and learn about digital tools if we lock all the doors ahead of them.

, , ,